“The exploration of dance narratives and the practice of dance consulting encompass a rich tapestry of storytelling and professional guidance within the realm of movement. Dance narratives refer to the various ways in which dance can convey stories, emotions, and cultural expressions, often reflecting the complexities of human experience. These narratives can be found in various forms, from traditional folk dances that embody historical tales to contemporary performances that challenge societal norms. By examining these narratives, one can gain insight into the cultural significance of dance and its ability to communicate profound messages without the need for words.
On the other hand, dance consulting serves as a specialized field that provides expertise and support to individuals and organizations seeking to enhance their dance-related endeavors. This can include advising on choreography, performance techniques, and the overall artistic direction of dance projects. Dance consultants often work closely with dancers, choreographers, and educators to develop tailored strategies that align with their specific goals, whether it be improving technical skills, creating compelling performances, or fostering a deeper understanding of dance as an art form. The role of a dance consultant is crucial in bridging the gap between artistic vision and practical execution.
Together, the narratives of dance and the practice of dance consulting create a dynamic interplay that enriches the dance community. By understanding the stories that dance tells, consultants can better inform their guidance, ensuring that the artistic intent is preserved while also addressing the technical and logistical aspects of dance production. This synergy not only enhances the quality of dance performances but also promotes a greater appreciation for the art form itself, encouraging both performers and audiences to engage with dance on a deeper level. Ultimately, the fusion of narrative and consulting in dance fosters a vibrant environment where creativity and professionalism coexist harmoniously.
My training in both West African dance and ballet has been shaped by a diverse array of esteemed dance companies and instructors located in Washington, D.C. Notable figures in my development include Melvin Deal from the African Heritage Dancers and Dancers, Kadiatou Conte of the Balafon Women's Ensemble, and the dedicated staff of NationHouse West African Dance. Additionally, I have had the privilege of learning from accomplished artists such as Afia Akoto, Makini N., Akua Kouyate, and Sherrill Berryman Johnson, each contributing unique perspectives and techniques to my dance education.
In January 1992, I was honored to receive an invitation from Principal Maria Tukeva to take part in a school assembly at Lincoln Middle School. This opportunity allowed me to share my passion for dance with a wider audience, showcasing the rich cultural narratives that can be expressed through movement. Engaging with students and faculty alike, I aimed to highlight the significance of dance as a medium for storytelling, bridging cultural gaps and fostering a deeper understanding of diverse artistic traditions.
Through my journey, I have come to appreciate the role of dance in conveying complex emotions and stories, making it an essential component of cultural expression. As I continue to explore the intersection of dance and narrative, I remain committed to sharing this art form with others, inspiring them to recognize the profound impact that movement can have in their lives.”