Quote found on the Internet
“The origins of African dance can be traced back to the rich cultural heritage of the African diaspora. This form of expression has evolved over centuries, influenced by the diverse traditions, rituals, and social practices of various African communities. As African people migrated across the globe, they carried with them their unique dance styles, which became a vital means of preserving their cultural identity and heritage in new environments.
African dance is deeply rooted in the historical experiences of the African diaspora, reflecting the struggles, triumphs, and communal bonds of those who have been displaced. Each dance form serves not only as a mode of entertainment but also as a powerful vehicle for storytelling and cultural transmission. The rhythms, movements, and accompanying music often embody the spiritual and social narratives of the communities from which they originate, showcasing the resilience and creativity of African peoples.
Over time, African dance has transcended geographical boundaries, influencing and being influenced by various cultures around the world. This dynamic exchange has led to the emergence of hybrid dance forms that incorporate elements from both African traditions and local practices. As a result, African dance continues to thrive as a vibrant and evolving art form, celebrating its roots while adapting to contemporary contexts and audiences, thus ensuring its relevance and vitality in the global cultural landscape.”
- Trained in West African dance and ballet by various dance companies and individuals based in Washington, D.C.. Some of them include Melvin Deal, African Heritage Dancers and Dancers; Kadiatou Conte, Balafon Women's Ensemble; NationHouse West African Dance Staff, Afia Akoto, Makini N., Akua Kouyate; and Sherrill Berryman Johnson
- Invited by Principal Maria Tukeva to participate in the school assembly that took place at Lincoln Middle School in January 1992.
- American born and raised in Washington, DC during the 1970s.